Michaela Community School | The latest news at Michaela School
Michaela School Wembley London
268
paged,page-template,page-template-blog-template3,page-template-blog-template3-php,page,page-id-268,paged-9,page-paged-9,tribe-no-js,ajax_leftright,page_not_loaded,

Posted on March 23, 2016 by Jonathan Porter

Did it work? Year 8 history essays on medieval England

Essay title: What was the most significant challenge to the king’s power in medieval England?

Conditions: Exam conditions. 50 minutes. No notes. From memory. Pupils DO know the title of the essay in advance.

High ability paragraph on the Church.

IMG_20160322_092212336

Mid ability paragraph on the nobles

IMG_20160322_180709842

Low ability paragraph on the peasants

IMG_20160322_093217451

High ability conclusion (typed out verbatim)

‘In conclusion, the most significant challenge to the king’s power in the medieval period was the Church. It’s spiritual and temporal power, and the last grip it had on the population made it a clear rival to the State. The ‘Magna Carta’ was not a major challenge to the king’s power as even thought it restricted the king’s power for a very short amount of time, King John declared it invalid. The peasants were not a significant challenge to the king’s power in the medieval period as the rebellions such as ‘the Peasant’s Revolt’ were crushed by the king. The Church’s hegemonic influence made it a significant challenge to the king’s power’.

IMG_20160322_190347660IMG_20160322_190402875

Strengths: knowledge and memory

One of the things I like about the way we assess at Michaela is our emphasis on memory. All our pupils (from top to bottom in ability range) do their assessments from memory. Almost all pupils wrote for the full 50 minutes and almost all wrote three paragraphs on each of the three challengers to the king’s power: the Church, the nobles and the peasants.

What I particularly like about the essays is their clear command of the facts. They have used dates, people and concepts to support their judgement. The high ability pupil has remembered that Thomas Becket was murdered in 1170. Specific people such Thomas Becket, John ‘Softsword’, Richard ‘Lionheart’, William de Braose. And specific places such as Runnymede, Brittany, Normandy and Anjou. Most pleasingly, the pupils seem to be using challenging conceptual vocabulary such as ‘spiritual’, ‘temporal’, ‘independent’, ‘authority’, ‘tyrannical’, ‘clergy’, ‘lenient’, ‘rivalry’ and ‘hegemony’. All of these were taught explicitly and the pupils have used them, with reasonable accuracy, in their assessment.

One of our less able pupils even managed to remember that pesky apostrophe in ‘the Peasants’ Revolt’ – my favourite thing of all!

Improvements: explanation and judgement

However, I want to see more sophisticated explanation in future. The high ability paragraph on the Church is good, but I don’t think it is as well developed as it could be. There is also some speculation in her explanation: ‘This was a significant challenge to the king’s power and authority because the peasants would have judged the king when he was in the streets and, ultimately, threatened his status in the social society.’ How can we support our pupils to make more incisive comments about the significance of this event and what it tells us about the power of the Church in the period? How can we support them also to ‘zoom out’ and see the bigger picture?

I also want pupils at the bottom end starting to see their essay more as a single articulation rather the sum of three discrete paragraphs. You can see that quite clearly in the high ability conclusion in which the pupils weighs up the challengers to form an independent judgement. But it isn’t there in the low ability paragraph: the pupil simply introduced ‘another significant challenge to the king’s power’. 

If you think you have what it takes to help us to improve our pupils’ work and take them to the next level, you should apply to teach with us. Follow this link for more information: http://mcsbrent.co.uk/vacancy-humanities-teacher/

Posted on March 19, 2016 by The Music and Art Departments

Quality Music Education Remains the Preserve of the Privately Educated

http://www.newstatesman.com/culture/music-theatre/2015/09/why-music-education-britain-so-poor

I read this article earlier this week, and two statistics have stuck with me.

  • “Despite the fact that music is taught at the majority of schools in the country, admissions at leading universities from state schools are on a par with subjects like classics and theology; both subjects traditionally seen only at independent schools.”
  • “Music at GCSE and particularly A-level are the most under-subscribed of all elective courses by some margin, with only 1 per cent of A-level entries in England in music or music technology.”

Why is it that the academic study of music at GCSE and A-level is undersubscribed, despite being a compulsory subject in every school? Why is it that the academic study of music at university has admission rates comparable to subjects which are only taught to the privileged few, when all children have access to a music education in school? The answer is simple. Because the academic study of music isn’t really what’s taught in schools. Music, the rigorous academic discipline, is taught in private lessons. The children who enjoy studying music, who are successful at studying music and who elect to study music further are the children who learn music outside of the classroom, and unfortunately, they are the privileged few.

 

A typical child who is paying for music lessons will:

  1. learn how to read music.
  2. be exposed to and spend time learning an enormous range of music, particularly music written before the 20th
  3. study music theory.

 

A typical child who is studying KS3 compulsory music in a state school will:

  1. study ‘accessible’ music genres like film music, samba, reggae or calypso
  2. spend time listening to compositions made up in lessons by their peers
  3. create posters about music

 

The child receiving private lessons is learning music. The child whose only music education comes from compulsory music lessons in school is receiving a dumbed down and simplified version of the subject. We need to remember why it is that music education is compulsory in the first place: to make music accessible to all. We think that, by simplifying the content that we teach as part of the compulsory music curriculum, we are making music accessible. The sad truth is that, in doing so, we are ensuring that quality music education remains the preserve of the privately educated.

This fact may not sit well with some readers. But we have face the facts – music as a compulsory curriculum subject is failing. Every child in a UK state school studies music until they are 14. How many of them can read music fluently? How many of them have studied the scores of the great composers? How many of them know and understand the circle of fifths? At Michaela, we believe that being able to read music, being exposed to a broad and detailed history of music, and understanding the theory of music is what makes a music education, and those are the things we teach in our compulsory music lessons. Over the next few blogs we will go into more detail about what this looks like, how it works and why we do it. We drill pupils in reading music. We explicitly teach them music theory – up to grade 4 by the end of year 9. We don’t make music accessible by lowering expectations; instead we make music truly accessible by actually teaching every one of our students a rigorous and academic curriculum.

Posted on March 20, 2016 by Naveen Rizvi

Assessment-driven teaching

This post will be outlining the academic rigour I have seen in the teaching and in the assessments created by the Uncommon Schools Network. I shall explain how we can develop such rigour in our classrooms as individual teachers.

Each grade (year group) has an interim assessment exam which is determined centrally by a subject lead teacher; although collaboratively made, a subject lead teacher will finalise the exam produced. Once it is finalised, all teachers within the network will have access to view the assessment but will not have the access to make any amendments/alterations.

I was very impressed by the interim assessments made, because they are created in a way in which pupils’ mathematical knowledge is tested in a manner where they are forced to manipulate the knowledge they have: it tests and masters the fine balance between procedural fluency and conceptual understanding in each question. It also made me reconsider how I plan my teaching, how I now combine concepts in different problem types and how I try to make rigourous low-stake quizzes including questions like the ones you are about to see.

I am going to look at one question which I thought was brilliant, then explain how I would plan a selection of lessons, in a sequence, inducing pupils to become mathematically proficient and confident in order to attempt such a question.

assessment1

Here I am assuming by convention from how I was trained and from what I have seen in my experience, previously I would begin by teaching the concept of square numbers and square roots, by getting children to identify the square numbers by multiplying the root number by itself, and then drawing the link: that once you square root a square number you will obtain the initial root number which, multiplied by itself, then results in that square number.

Then, I would have possibly explored completing calculations with square numbers and square roots. After that, in years to come, I would teach square numbers and square rooting in relation to fractional indices and with surds. When teaching surds, I would bring in the idea of rational and irrational numbers. Here is what I now suggest!

This is how I would map out teaching the topic of square numbers, square roots and holding a root number, to an index number greater than 2, and introducing rooting greater than a square root. Kids must have gotten to a stage where such calculations are memorised:

2fig1

Why not bring in the idea of interleaving fractions, decimals etc?

2fig2

Then, I would build upon the previous questions systematically, in a way in which students can create a fraction which can be simplified.

2fig4

Also, I would introduce from an early stage the proposition that when we square root a square number we get positive and negative of the root number, which can be a really valuable discussion to have with children. Introduce calculations afterwards with square numbers and square rooting. This type of thinking is driven by another question I saw in a North Start Academy assessment:

assessment 4

2fig5

The question is touching on key knowledge that when x is equal to a square root then we assume a positive value as an answer, however when x is held to an exponent the values of x will result in a positive and negative value.

Eventually I would introduce a base number to an exponent greater than 2 and interleave it into calculations:

2fig6

I could get pupils to then go into the following questions:

2fig7

Or, have pupils determine the value of unknowns through trial and error:

2fig8

Now, I am going to draw a link between square numbers, square roots and rational numbers without linking it to fractional indices and surds. The purpose behind this is to (for now) restrict what I would teach at Year 8 or 9 but, at the same time, providing that conceptual scope. Simultaneously, it also provides the opportunity for multiple choice questions that have the academic rigour for our pupils.

I would define a rational number and then go into the necessary vocabulary such as ‘a rational number is a number which can be written as a fraction of two integers. A rational number cannot be written as a non-repeating or non-terminating decimal’, for example, in comparison to 0.45454545 which is a rational number. I would then provide a selection of example and non-examples.

I could test children’s understanding through mini whiteboards or hands up: 1 if it is a rational number and 2 if it is an irrational number; selecting the order of questions such as 2, 6, 100, 15, 1/2 , 5/6, 10/100, then bringing in the square numbers and asking pupils to show why it is a rational number or irrational number such as √16, √36 or √144

Pupils could type in the value of √12 or √3  in a calculator to see that you will get a non-repeating or non-terminating decimal that cannot be written as a fraction of two integers therefore categorising such non examples as irrational numbers.

Also then mentioning that square rooting a square number will result in a rational number, and cube rooting a cube number will result in a rational number etc.

You would then be able to explore the idea of rational numbers in which you are square rooting square numbers using your calculator:

2fig9

Following this, discussion will be made of the notion that the following are rational numbers in regard to the definition of a rational number being a number that can be written as a fraction made of two integers:

2fig10

Then, the idea of either the numerator or denominator being a whole number should be brought into my teaching:
2fig11After that, I would introduce problem types where you can simplify the fraction:

2fig12

Discuss that the problem below results in an irrational number because the numerator is irrational and overall the solution cannot be written as a fraction of two integers:

2fig13

 

 

Will the following number sentences produce rational numbers?

2fig14

Children need to be comfortable in identifying that  is not a rational number because it cannot be displayed as a fraction of two integers. The definitions need to be consistent so that children are confident in differentiating between a rational and irrational number using square numbers and square roots, and then moving onto powers greater than 2. If we expose children to the following above we are providing the academic rigour which future exam boards are attempting to build upon.

All of this is just an idea which I am trying to explore in order to provide students with the academic rigour, in terms of their classwork and in the assessments, that they will be taking.

assessment 2

Everything that I have written, the problem types I have created and the interconnections between square numbers, square rooting, and rational numbers, is a result of looking at such questions above. These questions guided me to plan a selection of lessons which provide the balance between enabling students to become procedurally fluent in calculations and in developing conceptual understanding of this topic.

Through creating difficult assessments you can guide your teaching to induce that academic rigour. I have never taught maths like this, but I do plan to in the future. This was all inspired through looking at this question at North Star Academy in New Jersey. The academic rigour present in the interim assessment guides to create academic rigour in what is being taught and learnt within the classroom.

Posted on March 19, 2016 by Bodil Isaksen

Don’t mind the gap

How many digits of pi can you remember, Layla?

Only twenty, Miss.

Layla sees nothing extraordinary about the fact she remembers four times more digits of pi than her maths teacher. Not when her classmates can remember 40, 50, 60… hundreds digits of pi*. Not that she’s upset about it, mind. She knows that a fortnight ago, the most anyone in her class knew was three digits. She knows that the reason for the difference now is sheer hard work.

How is it possible for a 12-year-old child in an inner-city comprehensive to see knowing 20 digits of pi as unremarkable? By not minding the gap. In fact, we encouraged the gap through competition. Two weeks ago, the gap between the best and worst in the school at reciting pi was three: between those who had no clue, and those who knew 3.14. Now, the gap is in the hundreds.

In absolute terms, the achievement and progress has been excellent. Pupils, including the weakest, reel off scores of digits. In relative terms, it’s a disaster. Layla can say twenty, but Aliyah can recite 160: an eight-fold difference. In relative terms, we were better off a fortnight ago, when the difference was a mere handful of digits.

“Closing the gap”: a well intentioned policy, but one that worries me. I worry about its effect on our Aliyahs; that it encourages us to rein in their potential artificially. But I also worry about our Laylas.

When we focus on closing the gap, our implicit messages are toxic. We imply that there’s only so much we can expect; that there’s a cap on what’s reasonable to achieve. Our monitoring and scrutiny doesn’t leave room for pupils to go off and propel themselves, independently, beyond what our limited imaginations can fathom for them. Round-the-clock interventions for those struggling, while the top end go off and revise on their own, induces a learned helplessness; a sense that work can’t be done without a teacher holding their hand. The intensity of the teachers’ attention implies to the children that their teachers are responsible for their grades, not them. Pupils may even come to recognise that the less they do, the more the teachers worry, and the more the teachers do for them. Pupils are not allowed to fail, and thus gain no experience of the link between laziness and failure; the link between hard work and success.

In fact, I’d posit that if your gap is narrowing, you’re doing something wrong. The Matthew effect states that with the same inputs, the knowledge-rich will get richer more quickly. My experience is that the top end will accumulate knowledge more quickly even if given a fraction of the input of the bottom end.

We should not be concentrating on “closing the gap”. An obsession with relative under-performance doesn’t just harm the top, but also the weakest we are trying to help.

Encourage competition. Encourage every pupil to do their best. It won’t close the gap. It will widen it. In relative terms, it will be a disaster. In absolute terms, it will be a triumph.

 

*A note on pi: this was an optional competition, a bit of fun for pi day; pupils learnt pi of their own accord outside of maths lessons. I don’t think learning pi is maths, but it was great at creating a buzz!

Posted on March 19, 2016 by Joe Kirby

Experiences of a new teacher

This is one new teacher’s account of her first year as a newly qualified teacher in a tough school.

I teach at an inner-city secondary school, where sixty percent of students receive free school meals. Eight million was spent doing up the building, and the new rules said: no chewing gum. Soon, the brand new tables had layers of Wrigley’s and Juicy Fruit stuck to their undersides.

In my first lesson of my first year, a fight broke out between two students. They went for each other’s hair and throats. The whole class were out of their seats, crowding around the two girls. Senior management arrived to remove them from the lesson. In my first year of teaching I did not have a life during term time: I sat up til ten marking students’ work and planning the following day’s lessons.

The first morning back in my NQT year, eighty or so teachers gathered in the echoing dining hall, where Cecelia, the principal, welcomed us, announced the GCSE results, and congratulated us on the rise in attainment: 58% of students had got five or more GCSEs at grades between C and A*. The national average that year was 64%. Only 32%– about 60 students out of 200 or so achieved a C or above in English and Maths.

I knew the Year 10s were going to be a difficult group. They had been at this school longer than I had, which made me think that they know things I don’t. They were intimidating teenagers, predicted Es and Ds in their GCSEs.

One minute into the lesson, and the seating plan has fallen apart. ‘Miss, I don’t want to sit there. I can’t sit with her.’ They’re adamant, forceful: ‘No, I don’t care, I’m not sitting there!’ The students eye me up, arms folded, with a look of outright disdain. I distribute a poem, a stanza to each table. Chaos descends. All the five groups I am not with raise their voices in pandemonium. A few quieter students are attempting the task, but the loud majority make it difficult to hear anything. Every few minutes I strain to raise my voice above theirs and tell them to settle and quieten down, which they do, for a few seconds. Several separate conversations are going on while groups are trying to share their observations. I turn to the girls talking to each other and ask them to stop, explaining that it is rude to speak over other people. They turn back to each other and finish their conversation. Jamie is eating crisps. Group work was an unmitigated disaster. As the door closes behind them, they burst into loud laughter.

No gum is one rule: all lessons must have a learning objective is another, to tell students what skill to be developing. The other rule about lessons is they must be divided into three parts: a fun starter, main activity, and a plenary where students reflect.

‘Adalia, gum in the bin. Chantelle, why haven’t you started?’

‘Miss, can I borrow a pen?’

My box of biros, full at the beginning of term, had already evaporated. Half the Year 10 class needed a pen each lesson. I always forgot to collect them in, so would have to scrabble around on the floor to gather any that the students had been kind enough to leave with me. Scrambling around on the floor also gave me a chance to collect the wrappers and crisp packets they’d dropped once they’d finished surreptitiously eating the contents. I root around on my desk and find a pen for Chantelle.

Chantelle raises her hand.

‘Miss,’ she giggles, ‘have you seen what someone’s written here?’ She points at the desk. I look and see that someone has etched into the desk with a compass: ‘Your mum is a c**t.’ Shocked and annoyed, I instruct her: ‘Don’t tell the others.’

My energy was waning – there was a pile of unmarked homework in the tray on my desk, and I already felt ready for another week off. The Year 10 class didn’t go in for waiting quietly with their arms folded for me to give them an instruction. I had to bamboozle them with Powerpoint presentations and clips of film and music, instructions and tasks and performances. In terms of the pecking order within my class, there were several positions above mine. By being so purely unpredictable and unbothered by the rules, they made me dread each lesson, not knowing what their mood would be.

At the end of a lesson, I looked at the bin. It was overflowing with crisp packets. Drained of energy, I got on to the floor and started picking up the litter that hadn’t made it to the bin.

At home, I settled down for some marking. I noted it was taking me five minutes to mark each student’s work and therefore I would be finishing at ten. But then at 8.30 something strange happened: every muscle in my body hurt, and I suddenly had to crawl to bed, unable to do anything more.

At six o’clock on Wednesday morning I called in sick. I sat down morosely at my laptop to email in cover work, thinking how the poor cover teacher would be so abused by my classes. The students would trash the room. A supply teacher is a school providing students with a human sacrifice…

On my return, I braced myself. Lots of sheets of A4 lined paper were strewn about the place. Some students had obviously managed to write their names at the tops of their piece of paper, but not got any further. I removed the crisp packets stuffed into the cupboard at the back of the room. A pile of incident reports were on my desk:

“Folashade was drinking flavoured fizzy water in class. I asked her to put it away. She refused. I asked her again and she refused again, angrily. She charged at me, and had to be restrained by her classmates.”

“Erez came into class and immediately would not follow instructions or do anything co-operatively. She was given two warnings for refusing to take off her coat and take her bag off the desk. ‘What? What’s my bag doing to you? Is my bag hurting you?’ I tried to send her out of the classroom but she refused to go.”

I heard a piercing scream next door. I ran to the classroom, imagining a fight had broken out, but it was just a drama lesson. ‘It’s ok, they’re just doing drama next door.’ Everyone looked miserable. ‘Why are they always having fun?’ Princess stamped her foot. ‘Please could you take out a pen,’ I said. Rude, aggressive, and undermining, one pupil snarled: ‘Don’t start on me – I’m not in the mood.’ The same confrontation day in, day out.

The glory days with my Year 7s seemed to be drawing to a close. They were in their second term at the school and, after carefully observing the years above them, had started adopting some of their bad habits. They had grown loud. And the louder they grew, the less I enjoyed being in the classroom with them. They’d completely lost interest in hearing anything the rest of the class might have to say.

Day to day I could feel I was falling down a never-ending spiral of tiredness. So much of the time teaching the Year 11s I wanted to shake them and say, ‘Stop wasting time. You don’t know what you’re missing out on. Why won’t you do something about it?’ When your students fail to see something, it naturally feels like a failing on your part. Why wasn’t I a good enough teacher to make them work harder? How did Julia do it? Her students were orderly: she narrowed her eyes at them and they fell into silence. Why would they follow other people’s instructions but not mine?

The Year 7s were always at their worst on a Wednesday afternoon. They had history in the previous lesson, which was taught across the hallway by a long-term supply teacher. His door was closed, and so was mine, and the hallway lay between, and yet I could still hear them rioting in his room. As they surged from his class to mine, I braced myself. The class spent the hour not listening to me or each other. My voice was hoarse. I had no energy. I cannot keep them quiet, I thought: I have lost the will. I can’t do it. I can’t make them listen. Controlling disruptive behaviour was sapping my energy, and I felt, once again, I was having to fight my students in order to teach them. By half-term I was lying in bed with a temperature.

One lesson I asked my class to stay behind for a few minutes during break time – they’d easily wasted more time than that in the lesson. I had to ask: ‘Can you sit down, please, Becky – you’re wasting everyone’s break time.’ ‘That’s f**king extra,’ she shouted. ‘F**king shit. F**k you.’ She left, kicking her chair out of the way.

I rang her mum. I filled in the forms: the incident report and the record of the phone conversation with her mother. I passed the report to senior management, so that they could record what action they’d taken. The forms were returned to me. I stapled five copies of the phone record to five copies of the incident report and then spent five minutes in the staffroom finding the pigeonholes to post the copies to everyone involved in Becky’s care. Students rarely attended detentions, and then what? More phone calls home; more paperwork. I remembered that in my first year I’d tried to hold Becky back on a Friday for a detention. I’d gone down to the school gate to make sure she didn’t slip away. She saw me and ran for it. I called home, and then sat down and wrote another report on what had happened. My frustrations were increased tenfold by the feeling that there were no real consequences at my disposal for misbehaviour. Nothing ever seemed to really come of all this paperwork. There was no feeling that, as a teacher, I was being supported. It made me angry, but there was nothing I could do about it.

The Year 7s in particular seemed to be growing more and more challenging by the day. The students who had come up from primary school so well trained and able to listen to each other politely, had all turned into mini-volcanoes, spewing out noise. I tried to cut down on all evening activities, to preserve energy. God, I thought, I can’t imagine working where I am and also having children.

When I asked students about their lives at school, I heard experiences of being bullied on buses, bullied in the playground, mayhem, fights and disruption. Several students had attacked another outside of school.

With only two weeks to go before the holidays, I plodded through the lessons. The Year 7s were completely exhausting. Becky just sat graffitiing her exercise book. Mahima shredded her worksheet into small squares, which then fluttered down on to the floor. If I stuck to the three-strikes-and-you’re-out rule, most of them would be out within the first few minutes of the lesson, if indeed they managed to make it into the classroom. ‘Good, I didn’t want to be in this stupid classroom anyway,’ many an evicted student uttered.

Teaching groups of thirty rowdy, disaffected teenagers with my lack of experience meant I couldn’t get enough control. But I also felt it was because the students were not schooled in the work ethic that they needed to make real progress. And every evening, hordes of cleaners tried to scrape gum out from between the grooves of the carpets in the classroom.

One lesson, I tried dazzling them with activities: freeze-frames, drama, improvisation, matching exercises, picking up the pace of the lessons in groups of four so that there was no time for the girls to start discussing their latest plans for hair extensions. Lessons had never been this fun!

Afterwards, out in the corridor, I heard shouting. I ran out and saw two of my students – a new girl and another – trying to rip hair from each other’s heads. I bellowed ‘What on earth do you two think you are doing? Rose, go and get on-call please . . . Everyone else to break.’ Adrenalin flew through my veins, and I deposited the two by this time hysterically crying girls in different classrooms. I felt a bit responsible. Had the chaotic lesson added to their agitation?

The next lesson, ‘Miss . . . why are the lessons back like this again?’ Folashade asked. ‘Like what?’ I asked. ‘Boring,’ she said. ‘I’m sorry you feel that way, Folashade, but we have to do some writing at some point.’

I returned home from school crying three evenings in a row. I was feeling trampled. The end of a lesson didn’t feel as though a stampede of elephants had run me down in the way it had in my first year, but the effort was still draining: the full timetable, an after-school club, the planning, the marking, the meetings and department responsibilities. Encounters with unfamiliar students still left me feeling battered and bruised. In a school of one thousand, there are a lot of students you don’t know and who don’t know you. It irritated me that, even if I did take the time to write up confrontations, nothing would come of it. I felt the school did not demand that students showed respect to the staff, and teachers had to pick and choose their battles. I worried that a large handful of my students would be fired if they ever managed to secure a job, because they wouldn’t see any problem in speaking to their employers in the way they addressed their teachers. I felt exasperation at the endless disruptive behaviour. I just couldn’t summon up the energy to be on top of my classes.

I still felt like I’d been run over at the end of each day. It was time to move on.

HandsUp

 

Posted on March 19, 2016 by Jo Facer

Reading all the Books

I’ve written before about marking, but just to summarise: it has always been something I’ve loved doing. There was something in that Boxer-like satisfaction of ploughing through an unending pile of books, leaving lovingly crafted comments in an array of coloured pens and stickers that just looked like it would work so well. How could pupils fail to make progress when I’d spent so many hours on them?

So something I was nervous about when starting at Michaela was their approach to marking; that is, don’t do it. I’d read Joe Kirby’s blog and spoken to him at length, but remained steadfastly concerned that marking worked – if you ensured pupils

acted on feedback. I then moved to the idea that marking worked, but at what cost – a teacher with six or ten classes cannot be expected to give the detailed feedback the lightly-timetabled members of SLT seem to manage on a weekly basis.

In my second week at Michaela, we had a department meeting where Joe brought up the excellent question: it’s great for workload that we don’t mark, but how do we make sure we’re giving feedback to make pupils’ writing better?

One of the main reasons I think I find marking helpful is because it holds me accountable – I am actually reading if I am putting a pen to paper to say something about it. (I annotate the books I read in the same way – it helps me to remain focused.) But while this is an essential strategy when it is 7am on a Saturday, pre-intervention, and you want to clear the last 20 books to enjoy a semblance of a weekend when you return home that afternoon, or 9pm on a Wednesday when you just want to sleep, actually, I had underestimated my ability to focus.

To begin with at Michaela, I couldn’t get out of the habit of marking. I would spend two hours with about 60 books, circling and underlining when I couldn’t resist; writing limitless notes to share with the class, photocopying paragraphs to get pupils to annotate their peers’ examples. Joe’s comments on this kind of feedback were: ‘would you want all teachers to be photocopying twice or three times a week? Is it worth the time getting the pupils to annotate a piece of paper they are then just throwing away? What else could you be doing with that time?’ Moreover, I was reminded of why marking is not always the best method – if I’d put the merest hint of a mark on a child’s book, their hands shot in the air: ‘why is this circled?’ ‘I can’t read your writing on this spelling correction.’ ‘Why is there a question mark here?’ Marking breeds over-reliance on the teacher.

Now, I’m getting into the swing of the Michaela way. I read my pupils’ books once or twice a week. I teach four classes, each with between 28 and 32 pupils, so it is about 120 books in all. I read 60 books in 30 minutes. As I read, I make notes: spellings lots are getting wrong, things they’re all doing well at, and the main issues they need to improve. I note down anyone whose paragraph is amazing to reward with merits or show the class; I note down anyone whose work is messy to give a demerit to. It looks something like this:

FullSizeRender

In the following lesson, I teach the spellings from the front, and then test pupils. They will write their corrections out in green pen, interleaving the ones they got wrong, or the ‘toughest three’ if they managed, on this occasion, to score 100%. I’ll test them again the following day. I’ll share the positive things I found and celebrate the star paragraphs, and then explain carefully, perhaps modelling on the board (as Katie Ashford has described brilliantly here or occasionally putting a great paragraph from the class under the visualiser, how they can all improve their own paragraphs. And then they improve them, in green pen. It looks like this:

FullSizeRender

FullSizeRender[1]

IMG_6305

The second powerful tool is in-class feedback. With an excellent behaviour system, silent writing for 25 minutes means I can see every child’s paragraph twice while circulating, giving them suggestions and tweaks while they write. On my colleague Lucy Newman’ssuggestion, I’ve also started using my visualiser more. This way, we can take a pupil’s book, display it to the class, and show pupils how to edit their mistakes in that very lesson, just by giving oral feedback on the common errors they are making, or the aspects they really need to focus on improving. 

The thing is, what makes the difference in their writing is the quality of the feedback and how timely it is. They don’t need feedback on a paragraph they wrote two weeks ago. At Michaela, they can improve the paragraph they wrote yesterday, while it is fresh in their minds. I miss marking, I do. But I’m realising I did it for me, not for the pupils.

Posted on March 18, 2016 by Jessica Lund

Something we do – Speaking

The teachers at Michaela speak a lot.  They are founts of knowledge.  They might spend the majority of lesson time talking.  Much of that is instructional; a lot of it is questioning.  Rapid-fire, constant questioning is a feature of many Michaela lessons.  Critics of traditional teaching methods might imagine a silent classroom in which the teacher talks at length and then the pupils write down their answers to questions or do practice drills.  If you were to visit Michaela, you would see a huge amount of interactivity, hands shooting up to demonstrate recall and to ask and answer questions.  The kids are proud of their contributions, and they have plenty of opportunities to make them.

With respect to speaking, the Michaela French department is no exception.  You can’t shut us up.  We love the sound of our own voices.  We’re actors and actresses with audiences of 30 children four or five times a day.  What you may not be able to glean from the way in which we describe our teaching is how much the kids talk too.  (And shout and chant and sing and try to outdo the opposite classroom with the volume of our alphabet and number recitations – it gets pretty loud).

Last week, I wrote about how we read.  Nearly all of our reading is done out loud, which allows pupils to practise and perfect their pronunciation (if you listen to the examples in that post, you’ll see that it’s working!).  We also read out loud individually.  How does that work in a classroom of 30-odd pupils?  Each pupil puts their hands over their ears, and then reads and re-reads a passage of text so that they can hear themselves but not anybody else.  It works.  We can then walk around and catch any errors or encourage better pronunciation of particular words and phrases.  We can also nudge those who are not putting in enough effort into their projection, articulation and expression.  At the end I also give merits to pupils who have put real thought and effort into those things.  Pupils can then read out loud one at a time to the whole class with a greater sense of confidence.  This opportunity to practice beforehand is perfect for less confident pupils to go over the text a few times before reading to others; it’s perfect for all the others to develop a sense of the meaning of the text and read with expression, in addition to understanding.

The teachers read out loud a lot as well.  We do this in a very theatrical fashion, with a hammed up French accent and putting deliberate emphasis on accents and the sounds of particular vowel combinations – we’re overemphasising the pronunciation because pupils so easily under-emphasise it.  We intercut our reading with notes on what we’re reading – either to do with the meaning or the morphology of the word.  Remember, this is all done as a parallel text, so the meaning of the words is already clear.

“J’adore fAIre mes devOIrs – my homeworkS, in French, c’est au pluriel, mais évidemment les lettres ‘s’ sont [they all chime in ‘MUETTES!’] – en Écoutant, É-cOU-tan, la lettre ‘t’ est muette, il y a un accent, quel genre d’accent, oui un accent aigu – de la musique – of the music. Mais franchement – franchement, onze lettres, fran-che-ment, the -ment means ‘ly’ in French, like normally, normalement – je prÉfÈre lire – I prefer to read, regardez le mot ‘préfère’, il y a deux accents, quels accents? Oui, un accent aigu et puis un accent grave, it makes a mountain towards the f…”

In this way, reading a short (10-15 lines) passage of text, and repeating the bits they know less well, can take up to ten minutes.  We ask questions while we’re doing it, and get pupils to commentate on the words as well.  They really enjoy putting their hands up to interrupt with observations we might ‘forget’, saying things like “alors, Mademoiselle, évidemment il faut souligner les voyelles AI dans le mot ‘faire’.”

Much of the rest of the speaking in class is done as rapid-fire translation:

Yesterday – Hier – I went – je suis allé – to the stadium – au stade – with my brother – avec mon frère – but unfortunately – mais malheureusement – one must say that – il faut dire que – it was – c’était – rather boring – plutôt ennuyeux – because – parce que – I don’t like – je n’aime pas – to play at foot – jouer au foot. So – Donc – it is rare that I go – il est rare que j’aille – to the stadium – au stade – because I prefer – parce que je préfère – to stay at home – rester chez moi – where I watch the telly – où je regarde la télé – having done my homeworks – ayant fait mes devoirs. Tomorrow – Demain – I’m going to go – je vais aller – to the swimming pool – à la piscine – with my mates – avec mes potes – and it will be great – et ce sera genial – because I love to swim – parce que j’adore nager.

There are hundreds of similar phrases that we construct using regularly recycled, wonderfully rich and varied vocabulary.  Our Year 8 pupils can translate at length on a range of subjects, including language learning itself:

Pour moi, et évidemment c’est un avis personnel, si on veut maîtriser une autre langue, la chose la plus importante, c’est la lecture.  Ça va sans dire.  Mais ça ne vaut pas la peine de lire si on ne réfléchit pas en lisant…

This can go on for several minutes!

As a result, our classrooms are full of pupils speaking French.  Reading out loud, translating beautifully, and giving answers about spellings.  This is a typical exchange with my year 7s:

“Le mot ‘introverti’, comment ça s’écrit (how that itself writes)?  Ikram.”

“I-N-T-R-O-V-E-R-T-I [note: this is spelled using the French alphabet].  Mais Mademoiselle, il faut ajouter la lettre ‘e’ à la fin si c’est féminin.”

“Oui, tu as raison (you have reason, you’re right).  Et comment dit-on ‘me interests’, Alex?”

“Moi, je dirais ‘m’intéresse’”

“Oui, c’est ça. Mais est-ce qu’il y a un accent?  Oui?  Quel genre (what type) d’accent?”

“Bah, Mademoiselle, ça crève les yeux, il y a un accent aigu sur le premier ‘e’.”

We don’t use pictures for anything.  We will have to at some point, in order to enable pupils to respond to the image stimuli in the new writing and speaking exams, but for the moment they use the written and spoken word as their cue.  We don’t play games.  And – this is the bit that might ruffle practitioners elsewhere – the pupils hardly ever speak to one another.

There are a few reasons for this:

  • It’s unnecessary. There is plenty of opportunity to speak in lessons, to practise pronunciation and use all sorts of language, transactional and otherwise.  We also quiz pupils in the yard or at lunchtime – many is the breaktime I’ve sat with a few pupils and listened to them reading and quizzed them on their French.
  • It prevents misapprehension and the reinforcement of mistakes. Two pupils speaking French to each other increases the likelihood of speaking poorly and going uncorrected, or developing bad habits with regard to accents and phonics.  If we can listen to what they’re saying the vast majority of the time, we can reinforce good habits.  This is helped by the fact that 59 minutes of every hour is active teaching time – our slick routines and transitions mean that we have far more time to listen to each pupil read and give answers.
  • If we allow pupils to speak to one another, even for brief periods, the outcomes they get are completely dependent on the individual motivation of the pupils. The vast majority of our pupils would dive into the task with real focus and willingness; the small minority would use the chance to just talk and not engage with the task.  If we give them the chance to do that, we allow them not to make any improvement, or do any practice, in that time. This is unacceptable.  We’re thinking about carefully designed tasks that involve pupils quizzing one another on specific key bits of language, but that’s further down the line.

The results: our pupils speak great French with competence, confidence and superb accents.  They love reading out loud, answering questions, pointing out things about the words and pronunciation throughout the lesson.  They also – of course – love shouting the alphabet as loudly as possible to beat the kids in the opposite classroom.  And they love it when you get to ‘seventy’ in the number chant and they can go ‘soixante-dix’ and adopt a ‘duh!’ face when they’re doing it, remembering the time they thought it might be ‘septante’.  And, importantly, they understand everything they say, which only adds to their sense of mastery.

If you’re reading this with incredulity, I don’t blame you.  What the pupils at Michaela can do is unlike anything I’ve ever seen in a classroom.  I’m going to try and sort out some videos to post on the school’s Youtube channel so you can see all this in action.  Of course, the best way to see it in action is to come and visit the school – we love visitors, and the kids love showing off what they can do.  Email me at jlund@mcsbrent.co.uk – we’d be happy to welcome you any time, give you a tour and you can stay for lunch and speak to our lovely pupils.

Posted on March 13, 2016 by Naveen Rizvi

Sequence of Instruction

School visited: Uncommon Collegiate Charter High School

Class observed: AP Grade 11 Statistics (UK equivalent Year 13)

Theme of post: Pedagogy and Curriculum

This is the second blog of a series to complement a workshop I delivered at #Mathsconf6  on Mathematics Pedagogy at USA Charter Schools, following my visiting a selection of Uncommon and North Star academy schools in New York and New Jersey. During the workshop, I discussed how the common denominator in each maths lesson I observed was the level of academic rigour. I am still trying to find a way to define this term, because it is overused and poorly defined.

Nevertheless, I believe I can state that the teaching and learning delivered by such extraordinary teachers in the classrooms I observed displayed features of academic rigour. These features of academic rigour are evident in the structure of a teacher’s pedagogy and instruction:

Academic rigour featurse

In my workshop, I discussed the four main elements that all teachers up and down the country can implement into their teaching practice with minimal effort and maximum impact. I will discuss each of these four elements in turn, by way of one per blog post; today I will discuss the sequence of instruction.

I was observing a lesson, Grade 11 Statistics, and the teacher had organised the lesson so that he was trying to have pupils factorise cubic expressions where one of the expressions in the factorised form could be further factorised into two expressions because one group  was a difference of two squares. (Figure 1) The sequence of instruction to explain to pupils how they can factorise such cubic expressions is what made his lesson so powerful.

Fig1SIFigure 1 – Sequence of Instruction in terms of expressions used in teaching

Here, I entered the classroom, and the teacher had displayed the following algebraic expressions that he wanted pupils to factorise. (Figure 2) Before the pupils had even started to factorise he spent some time identifying the common features which determined this expression to be a difference of two squares. It is known as the difference of two squares because we have even powers, square numbers as coefficients and one positive term and one negative term.

Fig2SIFigure 2 – Difference of two squares expressions + common features of this type of expression

What I found really fascinating was the examples that he had initially chosen in order to begin teaching pupils how to factorise such expressions. Previously, whilst teaching, I would begin teaching the topic by using the following examples and non-examples to state what the common features of an expression known as a difference of two squares actually looked like, and therefore what it would not look like. Therefore, I utilised simply examples and non-examples. (Figure 3)

Fig3SI

Figure 3 – Examples and Non examples used in the initial stages of teaching how to identify an expression known as a difference of two squares

The way the teacher started was better, because the expressions he had used made the common features more obvious to pupils. So the initial examples of a difference of two squares that I would have started to teach from are actually more nuanced and special; the coefficient of x2 being 1 is hidden, and instead of having two terms where the variables both have even powers we have a constant which is a square number.

Second, he then introduced the consistent algorithm he wanted pupils to use to go from the expanded form to the factorised form of the expression. He was very systematic (Figure 4 – consistent algorithm):

Step 1: square root both terms;

Step 2: divide both exponents by 2 and

Step 3: Write your answer as such.

He did this with a selection of examples, as you can see below:

Fig4SIFig4aSI

Figure 4 – Consistent algorithm to factorise an expression known as a difference of two squares

Following this, he then introduced the notion that the pupils would now learn how to factorise a cubic expression. At this point in the lesson, I wasn’t fully sure with where he was going (until we reached the end of the lesson). He stated that when we factorise a cubic expression as such we need to factorise the first two terms and the last two terms. He structured it for his pupils because he pre-empted a common mistake that pupils would have made unless he structured it for them. We are factorising the first two terms by dividing both terms by 1, whereas with the last two terms we are going to factorise by -1, because -1 is the greatest common factor of -8p and -24. (Figure 5)  Therefore, the first step of the algorithm is not line 2: it is line 3. This was so powerful because by pre-empting this misconception, and by being very explicit with this instruction and guidance, it made the lesson run more smoothly because pupils were more independent to get on with the practice set of questions – because they weren’t making this mistake.

Fig5SI

Figure 5 – Structuring the first step of the algorithm

He then carried on to lay out the consistent algorithm between the expanded form and the factorised form.

Step 1: factorise the first two terms, and the last two terms. (be careful when factorising the last two terms)

Step 2: Now factorise the greatest common factor for both terms (ensure that you are factorising the GCF of the coefficients as well as the variables) However, he posed the question one more time: “What is the greatest common factor  of 16p^3 and 48p^2?” Students then noticed that we are no longer factorising by identifying the greatest common factor of the coefficients but also of the variables of each term. (Figure 6)

Fig6SI

Figure 6 – Step 2 – Step 4 demonstrated

Step 3: factorise the greatest common binomial of the expression:

Again, the algorithm was consistent. Furthermore, he said factorise “the greatest common binomial”. This level of technical language being used in the classroom is fantastic, and is something I certainly intend to implement in my teaching practice.

Step 4: “Are we done with this problem?” he asked this question with the intent of having students identify that the first expression in parenthesis is not fully factorised – which pupils identified.

Here he paused and said to his pupils “Now you are thinking that we are finished because we have two groups that can then be expanded and simplified to form the expanded form which we start with, but we are not finished. What is the greatest common factor of the first group?” However, he posed the question one more time “What is the greatest common factor of 16p^2 and 8 ?”.Pupils then identified this to be 8. He then proceeded to do a selection of examples to complement the first example, and to also reiterate the consistent algorithm. Figure 7 

Fig7aSI Fig7bSI

Figure 7 – Further examples of factorising cubic expressions presented in class using a consistent algorithm

Now, this was the pinnacle of the lesson. This was the point where the teacher introduced the next expression to factorise but in doing so he was combining the procedural knowledge of factorising a cubic expression where one of the groups could be factorised because it was a difference of two squares. The sequence of instruction was incredible. Let’s have a look.

Again, he used the consistent algorithm he showed in the previous examples:

Step 1: factorise the first two terms, and the last two terms. Pre-empt that we may be factorising the last two terms by 1 or -1.

Step 2: factorise the greatest common factor of both expressions:

Step 3: factorise the greatest common binomial of the expression.

He asked “can you factorise the greatest common factor of the second binomial? Hands up – what is the greatest common factor of the second binomial?” Pupils confidently answered – “1”. The teacher responded “Excellent, you can display it like this (teacher writes it on the board) and can you do the same on your mini-whiteboards please.” Again, he pre-empted another misconception that the pupils could have potentially made. (Figure 8)

Fig8SIFig9SI

Figure 8 – Structuring a key step in the algorithm where pupils are more likely to make avoidable mistakes though explicit instruction.

Figure 9 – Introducing an expression where one group is an expression known as a difference of two squares

Step 4: factorise the greatest common binomial, which he got above (Figure 9):

He asked pupils to pause. He then asked pupils to look at the problem on the board (the one above). “Can you raise your hand when you can identify what type of binomial expression we have for the first binomial .” Ten hands were raised within the 5 seconds. In total there were 22 hands raised 10 seconds later. Now, after 30 seconds in total following the initial posing of the question, the teacher had an overall 28 out of 32 of pupils’ hands raised. The teacher selects a pupil to state the answer: “Sir, the first binomial is an expression which is a difference of two squares.”

The sequence of instruction here is incredibly effective. What I saw in real time, and what I have outlined for you, is not necessarily profound or extraordinary – on the contrary, it is very simple. It can be performed by all teachers.

It was evident from this lesson that the teacher had put a significant amount of thought into the sequence of his instruction to his pupils. It was well-crafted and sequenced so that all pupils could see the re-iterated key points. What are the characteristics of a problem which is a difference of two squares? What are the characteristics of factorising a non-linear expression? What is the greatest common factor of this expression – ensuring the greatest common factor including coefficients and variables?

I am still working on trying to collate a few different examples in my teaching practice of minimally different examples, and how I have interleaved concepts via sequence of instruction. I shall get back to you on this. Watch this space. Any questions then please do not hesitate to contact me or DM on twitter.

Posted on March 12, 2016 by Joe Kirby

Year 8 on Macbeth

Y8 Macbeth Witches.png

Y8 Lady Macbeth.png

Y8 Lady Macbeth 2.png

Y8 Macbeth Conclusion.png

These are some paragraphs of Year 8 pupils writing about ‘Macbeth’, on the witches, Lady Macbeth, and an essay conclusion comparing Macbeth to the play they studied in Year 7,‘Julius Caesar’.

Snapping and sharing pupil paragraphs is a good opportunity for us to reflect on what is working well about our English teaching and what we want to help pupils improve.

Strengths: Vocabulary and Connections

One strength of pupils in English at Michaela is the vocabulary we have developed in them. Pupils are using ambitious words like ‘eponymous’, ‘pejorative’, ‘despotic’, ‘ambivalent’, ‘susceptible’, ‘diabolical’ ‘paradoxical’, ‘contradictory’ ‘asymmetric’, ‘tyrannical’, ‘protagonist’, ‘conspiracy’ and ‘patriarchy’, and largely using them accurately. They are using technical vocabulary, such as ‘soliloquy’, ‘antithesis’, ‘pathetic fallacy’ and ‘chiasmus’, and largely using it accurately. Sometimes, though, they are misspelled, as in ‘purnicious’, and sometimes, they make mistakes, such as seeing an oxymoron where none exists!

Pupils are beginning to make some striking connections between, for instance, the context and the play: for instance, on the regicidal 1605 Gunpowder Plot, or James I’s 1603 accession and his belief that he was descended from Banquo. Contextual connections are a real strength of our knowledge-led approach to the curriculum. They annotate and improve their own paragraphs, as you can see in green and blue pen. 

Improvements: Le Mot Juste, and Perceptive Insight

At this stage, I find pupils struggle to find ‘le mot juste’. One has written: ‘This emphasises the witches’ cloudy, disturbed and tempestuous mindset, bleeding into Macbeth’s mindset.’ I’m not sure ‘cloudy’ is the best adjective this pupil could have chosen! Another has written in a contrast between Macbeth and Caesar: ‘we cannot make these characters equal, however, because Caesar was a victim of conspiracy and assassination, Macbeth was part of conspiracies and murders.’ I find the phrasing of ‘make these characters equal’ a little clumsy, and the sentence is missing a ‘whereas’. Articulate, sophisticated syntax is an area for improvement.

Increasingly, what I’d like to improve about our teaching is this: sharing concrete examples of perceptive insight – moments in their analysis that make the reader of the essay see the play in a different light. I will try to do so in another blogpost.

By the time our pupils finish Year 9, they will have studied five Shakespeare plays. Year 10 begins with a synoptic Shakespeare unit where they compare villains and stagecraft, themes and plots from Julius Caesar, Romeo and Juliet, Macbeth, The Merchant of Venice and Othello, before they start on The Tempest, Shakespeare’s last play, for their GCSE course. By then, their intertextual connections, comparisons and contrasts should be increasingly insightful. It is an exciting prospect!

Posted on March 12, 2016 by Jessica Lund

Something we do – Reading

At Michaela, pupils read a lot – hundreds and thousands of words in every lesson.  The same is true in French. This is a snip of our Year 7 booklet:Capture

As you can see, it’s full to bursting with words.  Long passages of French with parallel translations into English.  And not just normal English – dodgy English that enables pupils to see the precise connections between French and English words.

“Yesterday, I am goned to the pool after having done my homeworks.”

“Hier,           je suis allé   à la piscine  après avoir fait     mes devoirs.”

Pupils read with their rulers under each line (the better to see and track exactly what they’re reading.  They are questioned constantly to see if they are making the connections between the English and the French.  If they struggle to see and retain a link, we make it even easier for them:

“Quelqu’un.  Someone.  Quelque means ‘some’ and ‘un’ means ‘one’.  Obviously you can’t have two vowels fighting it out in the middle so the ‘e’ becomes an apostrophe.  Look at the spelling – QUeen ELizabeth is off visiting another QUeen who has a feather ‘ in her hat.  And look at what she’s riding: a UNicycle.  And if you can’t remember that, it’s 6 letters then 2 letters.  Count them.  If you remember that it’s 6’2, you’ll know how to spell it when you need to.”

As one pupil reads at length, pupils track what they are reading for themselves.  A beautiful thing happens: pupils who aren’t reading out loud are silently mouthing the words so that when their turn comes, they remember the pronunciation.  They listen intently to their peers, and if they make a (very rare) mistake, hands shoot up all over the room to correct it.  Pupils are now in the habit of self-correcting as they read.

So, pupils are always looking at French words, and having their attention drawn both to the syntax of the sentences and the shape and spelling of individual words.  They are always hearing French words: if it’s not the teacher reading out loud, modelling excellent pronunciation (always with a bit of a dramatic flourish to emphasise key vowel sounds and accents) then it’s their peers practising.

Their peers are confident in their reading.  Why?  Because a) we do it so much, b) they are positively encouraged all the time (“PLUS FORT! Lion voices!”), c) we make it easy for them with two key techniques:

  1. We put dots under silent letters.  Pupils don’t pronounce them.  They know they’re there, and that they need to be written, but they don’t say them.  If they, on the rarest of occasions, do, their peers fall about laughing and they quickly correct themselves with a grin.  We don’t dot them forever: by February, year 7 read competently without them.  They become used to the fact that ‘évidemment, les lettres -nt à la fin sont muettes, Mademoiselle’, and they tell me, too.  Yesterday a pupil saw the word ‘jettent’ for the first time – it didn’t even occur to him to say the -nt at the end.
  2.  We underline the common vowel and letter combinations that differ from English. ‘in’, ‘en’ and ‘an’ are common ones that pupils might slip up on – we are constantly reinforcing their pronunciation by drawing parallels to other words. Lapin, sapin, main, maintenant, dingue, zinzin, radin, malin, calin, intéressant, intelligent.  Eu – peu, eux, peux, veut, neuf, malheureusement, chaleureusement.  They become used to sounding these out correctly.  As a result, ‘new’ texts are never really new – they’re simply a reordering of things they’ve seen hundreds of times before.

When I was training, I was told that reading was a presentation/input activity, not a production/output activity.  N’importe quoi!  At Michaela, it’s both – we read out loud, all the time, sometimes for entire lessons.  Because we foster confidence, pupils love it, and they are starting to really act with it.

Having recently started to read ‘Ticked Off’ by Harry Fletcher-Wood, I thought I’d create a ticklist of things that our pupils do when reading.  Here it is:

Do they read lots, at least a few hundred words per lesson? Do they understand, and are they able to recall, what they read? Do they read high quality, interesting, real-world French? Do they regularly read mark-winning structures, including PROFS (past, reasons, opinions, future, subjunctive)?  Do they read out loud with confidence and pizazz?  Do they notice vowel combinations and patterns that aid with pronunciation, recall and accurate spelling? Do they quickly correct themselves, and others, when they make a daft mistake? Do they absolutely love reading?

I would absolutely love to get more people visiting Michaela to see what we do – both in the French department and across the whole school.  If you want to know the answers to these questions, come and visit any time – have a tour, have lunch, watch a lesson, talk to us. It’s brilliant. Email me at jlund@mcsbrent.co.uk. It’d be lovely to see you.