I wrote at length about Lemov’s book – safe to say, it will revolutionise your teaching. Everyone should read this – not just English teachers. Lemov deeply considers the best way to read with classes, but also how to blend fiction and non-fiction for optimal understanding.
I also wrote at length about Chua’s book, which we now all read at Michaela for our staff CPD. Chua’s book is wildly funny, but also exposes a totally different paradigm for thinking about kids and discipline.
My whole way through university, I thought I was stupid. I didn’t ‘get’ post-structuralism, post-colonialism, Foucault or Derrida. It turns out, there is an alternative way of viewing culture. Reading Scruton felt like a warm blanket. For others, this book might feel like more of a scratchy towel in its challenge. Whatever your values, this is a must-read for anyone interested in curriculum.
This book is eminently useful for the way it showcases the Eastern paradigm. I stole an example from it in my speech at the Michaela book launch, with the toddler who says ‘thank you’ mindlessly, growing into the adult who can use the word with thought and understanding, to challenge the idea that explicitly teaching children (knowledge or behaviour) does not lead to adults who flail without the structures of a school.
Vance’s tome details his life and upbringing, and interweaves through this narrative some fascinating statistics. It gives educators pause for thought on what is really needed to ensure poor kids succeed, and triumph against not only poverty, but the ideas and values that keep poor kids poor.
This is the best of Hirsch’s books yet – a lucid and compelling case for knowledge. It is the number one book to read if you’re interested in the knowledge debate, or if you’re still not sure that teaching knowledge is the best way to raise academic standards for all children.
If you love the Romantics, and you especially love the Romantic ladies, this is a must-read. An eye-opening lens on Shelley’s life and her mother’s influence on it, with the male poets an intriguing sub-plot (for once).
This was the year I decided to try to calm my mind and quell my anxiety. Spoiler: I have not succeeded (yet). But this was one of the most helpful books in providing a different perspective on happiness, with some genuinely excellent advice to be mindful of in a modern world obsessed with acquisition and status.
I read this book in the summer (and if you know anything about Michaela you probably don’t need me to explain why) and found it both hilarious (in its tone and humorous examples) and troubling. Why do we feel like we can hurl insults at people on the internet in a way we never would in real life? Anyone interested in this should also watch the latest series of Black Mirror on Netflix.
Undeniably the most fascinating royal family in the history of the world, Montefiore’s tome explores the very beginning of their dynasty right through to the bloody and harrowing ending. This historian’s gift is to render those of the past in a convincingly human light, with details and insights from correspondence carefully chosen to humanise the fated monarchs.
Drabble’s central character in this little book defies every expectation of her society. A virgin when everyone around her is experimenting, then rapidly reversing to become an unwed mother who keeps her child against all the advice. The heroine will fill you with hope and admiration at her calm perseverance.
This book deftly interweaves ideas about race, class, history and geopolitics. The central character’s experience of moving from Nigeria to America and back again, with all the cross-cultural difficulties anyone who has lived overseas can empathise with, is intertwined with a quite beautiful love story. The shifting lens of the story is beautifully crafted, as we follow the heroine, who tells much of her lengthy tale to us at the salon, revealing her hopes, dreams, and fears in the most beautiful prose I read all year.
This is the first of a long series of novels that document the lives and loves of a family living just before the Second World War. The cast of characters is large, but through different chapters you slowly begin to sense them knitting together, as they negotiate the start of the greatest upheaval of modern times.
I bought this book on an absolute whim, loving the idea of four strangers on holiday in a castle in Italy. A wonderful period piece, the whimsical nature of the chief perspective lends a childish delight and joy to all she sees. A life-affirming read.
This is my favourite of Smith’s novels yet. I loved the setting – near my school, I felt this gave an insight on the area I’m starting to get to know – and the relationships between the characters. At the centre is a strange relationship between two schoolgirls who have grown into very different adults, and surrounding them a cast of eternally intriguing others.
This is a fantastically fun read, with a twist mid-way through that led me to frantically re-reading the first half of the novel to work out how I could have possibly missed it. Set in a traditional private school with a relentlessly modernising Headteacher, this novel also contains pertinent insights on education!
Despite my shameless love of murder mysteries, I had never read a single Agatha Christie novel before this year. A summer holiday to Devon changed all that. (Prior to reading ‘Murder on the Orient Express,’ my other choice for this slot was ‘Gone Girl,’ which is great by the way.) Christie is the absolute master of this genre. I’m now totally addicted to her novels.
I’ve spent a lot of this year working on (and teaching) nineteenth century fiction, and I’ve come to enjoy it more than I could have possibly anticipated. Anne Bronte is the lesser read of the sisters, and this novel is disconcertingly modern: dealing with a painful, disastrous marriage, and forbidden love, you quickly forget that this is a novel not set in our own time. I would only caution do not read the blurb of the book which will absolutely ruin the plot twist.
The wonderful Liz Cowley gave me this book, and it is now one of my all-time favourites. We follow the central protagonist through his journals, experiencing his life and all its adventures, longings, desires, failures. Deeply moving.